Tag Archives: Netflix

“Young Justice Season 3 Has Already Recorded Multiple Episodes”

“Fans of Young Justice can now rejoice, as the third season is not only moving forward but getting closer to completing production. When Young Justice premiered on the Cartoon Network back in 2010, it took the superhero world by storm. The show was not only hailed as one of the best animated projects to date, but one of the best superhero TV shows ever. Thanks to nuanced storytelling, lots of character development, and an overarching plot, the show managed to craft a number of powerful and mature episodes. Along the way, it also delivered plenty of action and lots of DC heroes and villains.

After just two seasons, however, the show was cancelled and fans immediately began petitioning for the return of the series. Despite the creators and voice actors fanning those flames, nothing official was heard until late last year. The announcement took many by surprise, with word that season 3 of Young Justice, dubbed Outsiders, would be coming soon in some format. Since that time, we’ve learned that the show and Titans will bedebuting on DC’s upcoming digital streaming service. Now, it looks as if the show is a good deal into production.

A Twitter user attending Awesome Con nabbed some footage of Young Justice voice actor Nolan North discussing the new season. North, who plays Superboy on the show, revealed that he had just finished recording episode 5 of the series, indicating the show is well into production at the point…”

http://screenrant.com/young-justice-season-3-episodes-production-recording/

“Luke Cage Is The Biggest Marvel Netflix Series Of The Year”

“When Marvel Television confirmed they were giving Luke Cage his own solo Netflix series, fans of Power Man rejoiced. The character made his live-action debut on the site through Jessica Jones, and audiences fall for Luke Cage’s charm. And, now, one media company is reporting that the hero’s standalone show is the biggest Marvel/Netflix hit of 2016.

Symphony Advanced Media has done the math and found that Luke Cage is Marvel Television’s biggest hit on Netflix. The streaming site does not provide ratings or viewership numbers for its original series, but the company estimates that Luke Cage had a bigger opening than Making A Murderer and Stranger Things.

According to Symphony, 6.34 percent of Netflix users aged 18-49 were watching Luke Cagein the 32 days following its premiere. Those numbers make it a competitive series on Netflix’s roster, but it doesn’t push it above titans like Orange Is The New Black or Fuller House. And, when Gilmore Girls returns for its special miniseries, the beloved sitcom stands to bulldoze Luke Cage if given the chance.

Of course, fans already knew that Luke Cage was one of Marvel’s more popular series on Netflix. The show has the highest rating on Rotten Tomato of all Marvel Cinematic Universe installments, and Luke Cage became a buzzworthy topic after it debuted. In fact, Netflix even crashed shortly after the series went live, and fans began speculating that Luke Cage was behind the site’s struggles.

Those rumors were only fueled further when the official Luke Cage and Jessica Jones accounts on Twitter began bantering over the outage. Their NSFW chatter kept fans occupied while Netflix sorted out the issue and got Luke Cage back online.

Marvel’s Luke Cage stars Mike Colter as Carl Lucas, a.ka. Luke Cage, who debuted in Marvel’s Jessica Jones. Luke Cage also stars Mahershala Ali, Simone Missick, Theo Rossi, Erik LaRay Harvey, Rosario Dawson, and Alfre Woodard.

Marvel’s Luke Cage is now streaming on Netflix.”

http://comicbook.com/marvel/2016/11/16/luke-cage-is-the-biggest-marvel-netflix-series-of-the-year/

“The Defenders: Elodie Yung’s Elektra Confirmed”

“Matt Murdock/Daredevil, Jessica Jones and Luke Cage have all now made their debut in the Marvel Cinematic Universe, as part of the Netflix corner (which is based in New York) of Marvel’s shared movie and TV show universe. Danny Rand/Iron Fist will see his own Marvel/Netflix solo series debut in the first quarter of 2017, before he and the other three street-level superheroes of Hell’s Kitchen (and Harlem) join forces during the miniseries, The Defenders.

Production on The Defenders is currently underway and Marvel/Netflix has taken to confirming returning supporting players in the miniseries (via the official DefendersTwitter account), before they are “discovered” via leaked photos from The Defenders‘ set. Among those Daredevil, Jessica Jones and Luke Cage TV series players confirmed for The Defenders are Foggy Nelson (Elden Henson), Trish Walker (Rachel Taylor), Misty Knight (Simone Missick) – and now, Daredevil season 2’s Elektra Natchios, once again played by Elodie Yung.

A video confirming Yung’s return as Elektra in The Defenders was posted to the miniseries’ official Twitter account. The video includes the tagline “The Strong Survive” with Elektra, but it does not elaborate on her role in the Defenders‘ storyline beyond that.

Daredevil season 2 concluded with the revelation that Matt Murdock’s (Charlie Cox) old flame, Elektra is in fact Black Sky: a deadly “weapon” forged by The Hand, forreasons that have yet to be revealed in full. Elektra was killed not long after this reveal, but the final shot of Daredevil season 2 showed Miss Natchios about to be resurrected by The Hand; setting up for her to potentially return as an antagonist in The Defenders. It’s been speculated that when Elektra does come back, she will possess dark supernatural abilities and be powerful enough to necessitate the street-level heroes of New York coming together and saving their city from her and her mysterious “boss” (Sigourney Weaver)

http://screenrant.com/defenders-elektra-elodie-yung/

“The Defenders Set Photos: Jessica Jones & Misty Knight Have a Standoff”

“Over the past eight years, the Marvel Cinematic Universe has expanded to include more than a dozen films — this fall’s Doctor Strange will be number 14 — as well as TV shows on both ABC and Netflix (with other series planned for Freeform and Hulu). Netflix’s corner of the MCU has garnered plenty of praise from both fans and critics since debuting in early 2015 with Daredevil season 1. It was followed by Jessica Jones season 1 late last year,Daredevil season 2 earlier this year, and Luke Cage season 1 earlier this fall.

Now, Netflix is preparing to up their number of Marvel series per year from two to three, with Iron Fist, The Punisher, and The Defenders all set to premiere in 2017. Iron Fist wrapped earlier this fall and is expected to debut in March, The Punisher began production early in October, and The Defenders was the latest series to start filming. The most recent batch of set photos for The Defenders feature two of the show’s female characters having a stand off.

ComingSoon debuted new The Defenders set photos depicting Misty Knight (Simone Missick) pointing a gun at a bloodied Jessica Jones (Krysten Ritter). These set photos arrive a day after Ritter was spotted on set in costume as Jessica Jones, though the other members of The Defenders — Matt Murdock aka Daredevil (Charlie Cox), Luke Cage (Mike Colter), and Danny Rand aka Iron Fist (Finn Jones) — have yet to be seen.

In addition to the main four superheroes and Misty Knight, The Defenders will feature a number of other Marvel Netflix characters, including Claire Temple (Rosario Dawson), Daredevil’s Karen Page (Deborah Ann Woll) and Foggy Nelson (Elden Henson), and Jessica JonesMalcolm Ducasse (Eka Darville). Additionally, The Defenders will feature Sigourney Weaver as the villain whose identity is as yet unknown…”

http://screenrant.com/defenders-set-photos-misty-knight-jessica-jones/

“‘Jessica Jones’ Hires All Women Directors for Season 2, Showrunner Says”

All 13 episodes of the second season of “Marvel’s Jessica Jones” will be directed by women, according to executive producer and showrunner Melissa Rosenberg.

Rosenberg discussed the all-female directing roster during her panel at Transforming Hollywood 7: Diversifying Entertainment, a conference held Friday at University of Southern California’s Annenberg School for Communication and Journalism.

Rosenberg said that in the second season of the superhero show, she had wanted to increase the number of female directors — a goal that Marvel was completely on board with, she noted. Given how in-demand many women directors are these days, she and her fellow producers had set their sights on booking women first, she said, and contracting male directors later in the pre-production process.

But then someone else involved in the production — she didn’t specify who — floated the idea of booking only women as directors. Rosenberg was honest about the fact that she hadn’t contemplated that concept prior to that conversation, but she said she quickly jumped at the opportunity.

When it comes to behind-the-scenes personnel, hiring an inclusive array of people was “a conscious decision and it’s very important that showrunners do that,” she said.

That directing roster puts “Jessica Jones” in very rarified company, as one of the few one-hour dramas to have an all-female list of directors. Ava DuVernay’s “Queen Sugar,” which airs on OWN, also had only female directors during its debut season.

Rosenberg didn’t divulge any details about the second season of “Jessica Jones,” except to tellVariety before her panel that scripts were in the midst of completion and shooting was set for next year. With Henry Jenkins and Stacy L. Smith of USC, who moderated her panel, Rosenberg freely discussed drawing on a variety of perspectives when coming up with the story arcs of the New York-set Marvel drama…”

http://variety.com/2016/tv/news/jessica-jones-women-directors-season-two-melissa-rosenberg-1201897203/

“How The Women Of ‘Luke Cage’ Stole The Show”

“If you’ve seen the amazing Netflix Marvel series Luke Cage then you know that there are many things that make it awesome. It’s unapolegetically black, it has amazing fight scenes and the characters are truly dynamic. One of the best unspoken things about the show, however, is how the women stole the series from Luke Cage himself!

Dynamic And Bold Women

Luke Cage at times came across as your average reluctant hero, but what made him unique was the women surrounding him. All of the women in Luke Cage’s life are strong and bold enough to hold their own. None of them depend on a man to run anything. The men in their lives are important, but when things get tough, they are more than bold enough to go it alone.

Detective Misty Knight is never afraid to get to the bottom of things even when all the odds are stacked against her. Her character is often portrayed in male form, and it is nice to see a driven female detective beat the odds.

Claire Temple is smart and brave. She reminds you of the girl next door and she is just what Luke needs to remind him that he can make a huge difference in his neighborhood. Without Claire, it looks as if Luke would just give up on being a hero, but there is no way this fierce woman is going to allow that!

As evil as Mariah Dillard is, she goes through the biggest metamorphosis in the entire series. Mariah is a determined politician who depends on her criminal cousin to do the dirty work for her. Slowly but surely, she comes in to her own. Mariah ends up being one of the strongest characters in the entire show. (She may not be the most moral character, but she is certainly the strongest.)…”

http://moviepilot.com/p/luke-cage-women/4129716

“Ava DuVernay’s 13th Reframes American History”

“Ava DuVernay’s 13th is a documentary about how the Thirteenth Amendment led to mass incarceration in the United States, but it’s also a gorgeous, evocative, and maddening exploration of words: of their power, their roots, their permanence. It’s about those who wield those words and those made to kneel by them. Many Americans by now are familiar with the coded language of the country’s racial hegemony. Some shun certain words while others make anthems out of them.

The film opens with an analysis of the eponymous amendment: “Neither slavery nor involuntary servitude, except as a punishment for crime whereof the party shall have been duly convicted, shall exist within the United States.” 13th then spends over an hour and a half tracing the path from the clause between those two commas to the 2.2 million prisoners in the American justice system.

13th, out [recently] on Netflix, compels viewers to sit upright, pay attention, and interrogate words in their most naked form as they’re analyzed and unpacked by DuVernay’s subjects, who include Angela Davis, Charles Rangel, and Henry Louis Gates. Sometimes the film confronts words in seemingly contradictory pairs: person/property, slave/freed person, labor force/prison workers. At other times it wrestles with oxymorons that target black Americans: truth in sentencing, war on drugs, tough on crime, law and order, minor crimes.

Premised as a historical survey that maps the genetic link between slavery andtoday’s prison-industrial complex, 13th explodes the “mythology of black criminality” as The New Yorker’s Jelani Cobb at one point in the film refers to the successive and successful measures undertaken by political authorities to disempower African Americans over the last three centuries. The academic and civil-rights advocate Michelle Alexander unpacks how the rhetorical war started by Richard Nixon and continued by Ronald Reagan escalated into a literal war, a “nearly genocidal” one. The Southern Strategy is unmasked as a political calculation that decimated black neighborhoods but won the southern white vote…”

http://www.theatlantic.com/entertainment/archive/2016/10/ava-duvernay-13th-netflix/503075/