Tag Archives: Film

“The Future of Superhero Filmmaking Has Never Been More Exciting”

“Have you ever noticed we trip over ourselves talking about the importance of Oscar films but tilt our heads at someone who says a superhero is important to them? We pick and choose when fiction is supposed to mean something, when it’s supposed to have an impact, and when it’s supposed to be fluff. It’s funny when you think about it. If you talk to any writer or artist, they’d tell you they’re creating to make people feel something. It may have taken me a long time to freely admit it but I’m a 34-year-old woman and superheroes make me feel a lot. And I’d like everyone else to have the opportunity to feel the same way.

As a redhead with curly hair and freckles in the 80s, I rebuked Annie comparisons (Why did people have to touch my hair?) but adored Pippi Longstocking. I had She-Ra’s sword to play with at home and my eyes widened at Willow’s Sorsha. These characters are some of my earliest memories of media I latched on to, but it wasn’t until Supergirl came along that I found a character who made me feel like I could do anything…”

http://www.hollywoodreporter.com/heat-vision/wonder-woman-black-panther-superhero-filmmaking-future-is-exciting-1014190

“‘Black Panther,’ ‘Luke Cage’ and the Rise of Black Superheroes on Screen”

“When “Luke Cage” exec producer Cheo Hodari Coker declared at his show’s San Diego Comic-Con panel last year, “The world is ready for a bulletproof black man,” the crowd erupted in cheers. So did the internet.

“Right before I said it, I knew what I was feeling,” Coker later told Variety. “I had said variations of it during the day. It was coming from an emotional place, but I didn’t think it was going to reverberate the way that it did. But I’m glad that it did.”

The “Luke Cage” panel came in July on the heels of widespread protests sparked by the killings of unarmed black men by white police officers in Louisiana and Minnesota. When the show premiered in September, it became the first live-action series about a black superhero since 1994’s “MANTIS.”

Now it’s getting some company. Next season the CW will premiere “Black Lightning,” based on the DC Comics superhero. And next year Marvel will debut “Black Panther,” the studio’s first feature with a black hero in the lead. Social, political and business trends have converged to put black superheroes at the centers of burgeoning television and film franchises after years of being relegated to supporting status.

Dan Evans, VP of creative affairs at DC Entertainment, cites the emergence of black superheroes on-screen as part of a larger trend in television and film.

“There’s so many examples now, from ‘24’ to ‘The Fast and the Furious’ to ‘Creed,’” says Evans, whose office door features an oversize image of Cyborg, the black teen hero who will play a key role in the upcoming “Justice League” movie. “We’ve seen again and again that if you tell a good story with these characters, people will come…”

http://variety.com/2017/tv/news/black-superheros-black-panther-luke-cage-black-lightning-1202498790/

“Wonder Woman and the Importance of the Female Hero Moment”

WHEN J.J. ABRAMS was wrapping up Star Wars: The Force Awakens, he showed a rough cut to Ava DuVernay, the Selma director he’d recently befriended. It needed something, she told him. Daisy Ridley’s Rey needed to have one more powerful moment, one more show of strength in her final battle with Kylo Ren. Abrams took her advice, shot some new footage, and added a close-up of Rey’s face as she strikes a massive lightsaber blow. If you watch it now, it’s very clear which one it is. Just ask any 15-year-old female Star Wars fan—even now, she can probably recall it from memory. When you don’t expect to see yourself as the hero, you don’t easily forget what it looks like.

Wonder Woman has more than 20 hero moments like this. It even ends on one. They’re not all close-ups like the one Abrams added to Force Awakens, but they do show a hero in action. Filmed in slow motion, almost always in battle, they feature Diana Prince (Gal Gadot), as well as other women. It’s trite to say, but I’ll say it anyway: This is revolutionary.

The hero shot is a staple of superhero movies, and action movies in general. If you had to think of one right now, though, your mind would probably light on Thor hoisting a hammer or Superman floating above Metropolis with his cape billowing in the wind, not of a woman saving the world. Katniss Everdeen got some of them in theHunger Games films, the female mutants have had their share in the X-Men movies, Joss Whedon gave a couple to Black Widow and Scarlet Witch in the Avengers flicks – but rarely, if ever, has one film been dedicated to them in the way Patty Jenkins’ Wonder Woman is…”

https://www.wired.com/2017/06/wonder-woman-hero-moment/

“Black Panther’s First Teaser Trailer Brings the Fight to Wakanda”

 

“Like Spider-Man, Black Panther made his Marvel Cinematic Universe debut in Captain America: Civil War. It was in Civil War that Marvel introduced the world of Wakanda — and its leader, King T’Chaka. T’Chaka was the father of T’Challa, and it was his death — at the hands of the Winter Soldier, Bucky Barnes — that led to T’Challa donning the Black Panther suit in Civil War. By the end of the film, however, he was providing a safe hiding spot for a couple of heroes, including Captain America and Barnes.

Marvel hasn’t released a synopsis of the movie, but during San Diego Comic-Con last year, cast member Lupita Nyong’o gave a brief, but detailed description, of what the movie will focus on.

“Black Panther’s leadership [of Wakanda] is being threatened by two foes that come together, and so Black Panther gets the help of the CIA and the Dora Milaje to try to defeat the enemy,” Nyong’o said, as reported by The Hollywood Reporter.

Black Panther will also have strong ties to the next Avengers movie, Avengers: Infinity War,according to Kevin Feige, head of Marvel Studios. Black Panther is the last movie to come out before Avengers: Infinity War, giving it the important duty of setting up the events of that film.

Black Panther will be released on Feb. 16, 2018.

http://www.essence.com/entertainment/black-panther-movie-things-know-marvel

“The Dark Tower: What You Need To Know”

“It would be tempting to say Hollywood is once again in the Stephen King business but for the fact that it has never left it. In the four decades since the release of “Carrie,” there have been dozens of movie and television adaptations of his novels and short stories. This year alone, we will see the evil clown-centric movie “It,” the bondage-gone-wrong Netflix film “Gerald’s Game,” a Spike TV series based on the monster-insect novella “The Mist” and “The Dark Tower.”

Oh, “The Dark Tower.” What many loyal readers of Mr. King see as the magnum opus of his career has had a tortuous road to the big screen. The film, due Aug. 4 after several delays, stars Idris Elba and Matthew McConaughey and is directed by Nikolaj Arcel, whose last film was the 18th-century Danish drama “A Royal Affair.”

Sony Pictures hopes that this is but the first entry in a franchise that can span both movies and television. The story of how “The Dark Tower” was made covers many years. The story of “The Dark Tower” is even more complex. Here are the basics:

What is ‘The Dark Tower’?

It’s a sprawling series of seven novels written between 1982 and 2004. (An eighth interstitial novel was released in 2012.) The first four books were published every four to six years. But after Mr. King was hit by a minivan in 1999 and almost died, he decided to finish the saga lest another accident finish the job. The final three books were published in 2003 and 2004.

Characters from the “Dark Tower” books have frequently appeared in other stories by Mr. King (one of the series villains is also the main antagonist of “The Stand”), and vice versa, effectively making the series the backbone of the author’s oeuvre. Mr. King himself also makes an appearance in the novels, which still comes as a surprise even if you know about it beforehand…”

https://www.nytimes.com/2017/05/03/movies/what-you-need-to-know-dark-tower-series-stephen-king.html

“15 Weaknesses You Didn’t Know Wonder Woman Had”

“The new Wonder Woman film, starring Gal Gadot as the title character, is in theaters soon. We were first introduced to Gadot’s Wonder Woman in Batman vs Superman: Dawn of Justice, where she was one of the few bright spots the film had. Many want to see a Wonder Woman movie done well, as her television show and comics are cultural touchstones.

Wonder Woman’s live-action feature film debut could not come soon enough, as her legacy is amazing and they have decades of stories they could redo or simply tell word for word in a script. This will be the first major superhero movie with a female hero as the protagonist. Wonder Woman is a feminist icon, but she did not get there easily. She honestly wasn’t one to begin with. Her story is great, but she has some weaknesses that few of male characters would ever be given by their creators– some are understandable while others were downright sexist to say the least.

We at Screen Rant wanted to do the kind of digging normally reserved for construction workers, to bring you 15 Weaknesses You Didn’t Know Wonder Woman Had.

15. A POKE TO THE EYES

You may be wondering, why in the world would this even be a weakness anyone would bring up? People need to know something obvious about Wonder Woman. Similar to Hercules, she is a Demigod. This makes her basically human, yet blessed with amazing abilities due to her God-like half. However, the human element of Wonder Woman was played up a lot in the comics and one of the most glaring things we learned is that Diana can be a victim to the same weaknesses the every day human might have – one of which is a poke to the eyes…”

http://screenrant.com/wonder-woman-biggest-weakness-didnt-know-trivia/

“The Year Disney Started to Take Diversity Seriously”

“Mira Nair didn’t know it, but for years, she lived just 15 minutes away from the subject of her next film—chess champion Phiona Mutesi, a prodigy from the slums of Kampala, Uganda. It took the attention of one particularly dedicated Disney executive, Tendo Nagenda, to introduce Mutesi and Nair, then shepherd through the studio a film: Queen of Katwe, a movie that looked almost nothing like anything else from the company that brings you Avengers, jedis, and pirates.

“I’ve never had a guardian angel in any film in a studio,” Nair tellsVanity Fair. “[Tendo] is truly one because he made it happen.”

Katwe is a film about a young African girl, with essentially no speaking roles for white characters, directed by an Indian woman. It’s an anomaly even in an industry that prides itself on having an imagination. But it’s also one of many examples of how Disney is diversifying its array of upcoming films, presenting more inclusive visions of everything from classic musicals to a galaxy far, far away.

In the near future, we’ll have a Christmas movie starring Kevin Hart as Santa Claus, an adaptation of The Nutcracker starring Misty Copeland and Morgan Freeman, and a surprising reimagining of The Rocketeer starring a young black girl. Ice Cube is working on a hip-hop version of Oliver Twist. Moana, Disney’s first Polynesian princess movie, is set for a Thanksgiving-week release. Lin-Manuel Miranda (Disney’s latest go-to music man, who also penned songs for Moana) will co-star in a Mary Poppins sequel.

The upcoming Rogue One: A Star Wars Story presents an intergalactic rebellion from the likes ofForest Whitaker, Riz Ahmed, Diego Luna, and Donnie Yen—and all led by a woman, Felicity Jones. Between 2016 and 2018, about 24 percent of the studio’s live-action releases will feature ethnic minority leads, Disney says…”

http://www.vanityfair.com/hollywood/2016/11/disney-films-inclusive