“In 2016, the fact that Hollywood made a sequel to #OscarsSoWhite has energized longstanding conversations regarding systemic racism and sexism in the entertainment industry. In its wake: a rash of new initiatives aimed at diversifying television, film, and theater. As the squeaky wheels of progress turn inside the Hollywood machine, a few film directors are doing their part to pull it into the 21st century.
Director Ava DuVernay (“Selma”) founded the film distribution collective, Array, and hired women and people of color for the currently-filming production of the OWN network television series “Queen Sugar.” “Star Trek: A New Hope” director J.J. Abrams’s production company, Bad Robot, will henceforth require that women and people of color be submitted for writing, directing and acting jobs in proportion to their representation in the U.S. population. A new non-profit, We Do It Together, aims to finance and produce films, documentaries, TV and other forms of media that will challenge stereotypes regarding women, and its advisory board includes directors Catherine Hardwicke, Hany Abu-Assad, Amma Asante, Marielle Heller, Katia Lund, Małgorzata Szumowska, and Haifaa Al Mansour, among others…
In a recent interview, Lin told me the more the public gets behind these works and artists—both in front of and behind the camera—the more we’ll see things start to change.
“After I made ‘Better Luck Tomorrow’ and started taking meetings in Hollywood, I quickly learned that Asian Americans weren’t even in the conversation as a minority, since there wasn’t even a significant enough audience, and especially an audience for Asian American content,” he said. “I think it’s changing now with shows like ‘Dr. Ken,’ ‘Fresh Off the Boat’ and ‘Master of None,’ but obviously when we look at the film side, there’s still a lot to be done.”
“Interpretations” is the first initiative for the nonprofit YOMYOMF Foundation, which supports Asian American talent, and more programs are on the way. Lin says he started the foundation because he knows talented artists are out there, they just need opportunity and mentorship.
“I’m the child of immigrants. My Taiwanese parents came to America with no money and supported my brothers and me as small business owners in Orange County, which is close to L.A. but about as far away from Hollywood as you can be. I didn’t know anyone in the industry, but had a great deal of people help me along in my path,” said Lin.
“I made a lot of mistakes along the way, but feel incredibly lucky to be in the position I am now and to be able to play a small part in trying to support talented, aspiring young filmmakers out there through a program like ‘Interpretations’ who, like me, had the desire and passion, but no connections to the industry…”